![]() Music Moves: Why Does Music Make You Move? (FutureLearn, 2016) Thus, the book serves as a survey of influential past work and a starting point for new and exciting future developments. The historical traces, meta-discussions, and reflections will also interest experts. ![]() The anthology is intended for newcomers who want to get an overview of recent advances in music technology. Each of the papers is followed by commentaries written by the original authors and leading experts. What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen-year-long history of the International Conference on New Interfaces for Musical Expression (NIME). Finally, you’ll learn about some ethical and legal challenges of working with human motion capture.Ī NIME Reader: Fifteen Years of New Interfaces for Musical Expression (Springer, 2017) Examples will be given of how such systems are used in various types of music research. Some other sensing technologies will also be presented, including accelerometers, muscle sensors, and video recordings. Then we’ll move on to setting up, calibrating, and recording with an infrared optical motion capture system. You’ll start by learning the basics of human anatomy and biomechanics. This online course from the University of Oslo is for everyone interested in human motion capture. Motion Capture: The Art of Studying Human Activity (FutureLearn, 2022) The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived. What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls “embodied music technology.” Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. Sound Actions: Conceptualizing Musical Instruments (MIT Press, 2022) ![]() Video Analysis/synthesis and Motion Capture.Sound/music in New Media (computers, internet, mobile phones, etc.).Instrument Design, Construction, Performance and Evaluation.Musical Human-Computer Interaction and Action-Sound Mapping.Sound Programming (Max/MSP, PD, Matlab).Teaching and Tutoring International Master's Programme in Music, Communication & Technology Visiting researcher, TMD, KTH, Stockholm. ![]()
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